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Grant winners ¨C 24 March 2016

<ÁñÁ«ÊÓƵ class="standfirst">A round-up of recent recipients of research council cash
March 24, 2016
Grant winners tab on folder
<ÁñÁ«ÊÓƵ>National Institute for Health Research

Efficacy and Mechanism Evaluation programme

Effect of closed loop insulin delivery from onset of diabetes in youth on progression of type 1 diabetes


A double blind, placebo-controlled, randomised phase II study of Pemetrexed and Cisplatin with and without Ruxolitinib in malignant pleural mesothelioma


Stratified Treatment OPtimisation for HCV-1 (STOP-HCV 1)


Randomised controlled trial of the short-term effects of OROS-methylphenidate on ADHD symptoms and behavioural outcomes in young male prisoners with attention deficit/hyperactivity disorder

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<ÁñÁ«ÊÓƵ>Biotechnology and Biological Sciences Research Council

Chickens on camera: practical application and commercialisation of the optical flow system for improved poultry welfare and health


Unravelling the microRNA-chromatin remodelling circuitry that drives myogenesis

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Developmental tuning of Turing patterning


<ÁñÁ«ÊÓƵ>Leverhulme Trust

Research project grants
Sciences

Solitons and frequency combs in micro-ring resonators


Social networking: understanding the neuroendocrine basis of gregarious behaviour


Electric and magnetic field effects on confined liquids


<ÁñÁ«ÊÓƵ>In detail

Award winner: Catherine Whistler
Institution: University of Oxford
Value: ?135,265

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Transforming our understanding of Raphael with eloquence in drawing as a research theme

This project aims to gain new understanding of the renowned Renaissance artist. Today, Raphael¡¯s work is broadly viewed as ¡°remote, bland or irrelevant¡±, writes Catherine Whistler, supernumerary fellow in art history at St John's College, Oxford, in the current Leverhulme Trust newsletter. ¡°Current scholarship presents Raphael as an accomplished interpreter and courtier who managed an efficient workshop, with drawing as a pragmatic stepping-stone towards the final, polished work of art. By exploring the experimental character of drawing and its rhetorical possibilities, I want to ¡®make strange¡¯ an over-familiar artist and to stimulate new thinking about drawing in and beyond art history.¡± Dr Whistler and her collaborator Ben Thomas, an art historian at the University of Kent, are taking Raphael¡¯s ¡°eloquence¡± as a guiding concept and an interpretative tool in order to unlock a new understanding.

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